goya guitar serial numbers
Nickel plated strip tuners with plastic buttons. It sounds way better than I expected. Levin Model 3 Levin LT-18 Made in Sweden 1966. As a result of the overlap between years, Fender serial numbers are also not by definition chronological. Polish frets, clean and oil the fretboard and then a general good clean of the whole guitar. Serial number 123817, both of the Goya guitars are Birch that has been stained. [Source: Goyaguitars ], goyaguitars.tripod.com/goya_serial_no.htm, Guitar catalogs 1957-1980s goyaguitars.tripod.com/goya_catalogs.htm, hagstrom.org.uk/images/mkt/hag%20speedomatic.jpg. The Goliath sized Levin collection so far: Levin LS-18 (1960), Levin LT-18 (1963), Levin LT-18 (1966), Levin LT-18 (1968), Goya T-18 (1966), Goya T-23 (1966). Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm The G-10 was purchased new at Ray Lammers Music in Cincinnati, Ohio  (now defunct)  in the early 1960's. Fingerboard width: 43 mm, scale length: 630 mm I'm still doing research in this area. Levin LM-26 / Goya M-26 These Goya guitars were made in Japan, Korea and Taiwan. I bought it about two weeks ago from a guy in Heidelberg, Germany and then it got stuck in some warehouse over Christmas until the Spanish post service could be asked to deliver it. This has been my main guitar for the past year and I’ve already tried a LR Baggs M1A, M80 and now a Lyrics. guitar money music parts. http://goyaguitars.tripod.com/goya_g10_insert_1958.htm, http://www.vintage-guitars.se/Levin_info.htm, http://www.vintage-guitars.se/Goya_serial_numbers.htm. They have an X-braced alpine spruce top with flame maple back and sides. The guitar has been used playing anything from jazz, Mississippi blues to Celtic folk and now country, read Ian’s guitar history. This Levin LT-18 was apparently owned by Brian Griffiths from The Big Three, a Liverpool band that was active during the days of The Beatles. I’m not sure why there aren’t more of these around in Europe, perhaps people refuse to sell them or they all got badged like Goya S-18 and shipped off to USA. I have some Levin LT-18 that has a Goya serial number stamped inside and a completely different Levin serial number on the head, I guess these things happens at a guitar factory. I’m so weak for these top of the line Levin flat tops from the 1960’s, they sound amazing and they are pretty rare to find, people tend to cling on to them until they die, and then their kids will sell them. I have a Goya G-316 Guitar the label inside it say's Goya International a part of C F Martin Organisation,can anyone tell me anything about this and is there any value on it. It basically looks a bit more 1950’s and I love it. I always prefer early to mid 1960’s Levin guitars, before they opened the new factory in Lessebo in 1965, having said that, most of my Levin guitars are actually from 1965-1966 and they sound pretty damn amazing. I like the ones they used on the Levin LS-18 at the time, they are rounder and look more Gibson like, these square ones look like something from an Egmond or a kids guitar. Use this site for a pricing guide and source of information on all guitars. Levin LS-18 / Goya S-18 2016 might have been the worst year ever when it comes to good musicians dying, last out was Leonard Cohen who meant so much for me in my late teens. Fingerboard width: 43 mm, scale length: 630 mm It’s also quite rare to see a Levin branded LT-18 for sale, I already have a Goya T-18 which is the same guitar but branded Goya for the US market and they tend to be a bit easier to come across. I first thought I was a mahogany back and sides type of guy, then I believed that rosewood was really my thing, when the truth is that I was a flamed maple guy all the time, who would have guessed? Well that’s going to change now because I really like it, especially for finger picking and I’m sure it will mature and sound better and better the more it gets played. Having said that, 2016 has also been the most amazing year ever when it comes to me getting my hands on some mighty fine Levin guitars. On my other 1959 Levin LM-26 the machine heads were replaced by open back Grover’s by the second owner back in 1965 and I think I might have to do the same on this one. Posts about Goya serial numbers written by claesgellerbrink. Perhaps it’s time to stop buying old Levin guitars but I can’t, they are just too good to turn down. The G-10 is figured birch, not maple as are a lot of Gibsons before the 1930s. I have my mother's old Goya G-10 classical guitar. The full sized Levin guitars don’t come up for sale that often, especially not in Sweden or Germany where people seem to keep them until they die. [Source: Goyaguitars] Levin/Goya information pages Sweden. The Sigma sounds fantastic with the Lyrics so I decided to leave it there and buy a brand new one for the LT-18 instead. Spruce top, flame maple back and sides, 4-ply bound top, single-bound back Copyright 2007-19 P Carroll Jedistar | All Rights Reserved | GAS: Guitar Acquisition Syndrome, Galaxy guitars 2 makes from USA and Canada. The pickguard was replaced and a new bridge was cut and for some reason screwed down to the top, madness if you ask me. //pagead2.googlesyndication.com/pagead/js/adsbygoogle.js. Two weeks ago I got myself another Levin LM-26. It has been an extremely good Christmas, not only did I manage to find a 1979 Fender Stratocaster, I also received a little Levin LT-14 from 1965. Serial numbers can be useful in determining the production year of a guitar or amplifier. I have a Goya G-13 #229829…the label inside says, “Goya Guitars Inc, New York, N.Y., 10010, Made in Sweden…trying to find out when it might have been made and what it might be worth these days…I do have pictures. Inside on the label below the Goya script logo is written: Goya Guitars Inc. New York 10, N.Y. -- Under that is written: Made in Sweden. Take the machine heads apart and clean them properly before I greased them up and put them back on. The number one source of guitar and amplifier pricing and information so you can find the price and value of your used guitars and amplifier. You feel a bit honoured too, when someone offers you a guitar because they know you will restore it, take care of it, play it and cherish it for years to come. I will have to carve a new bridge in ebony, to match the fretboard, and cut a slot for a real bone saddle. Single-bound rosewood fingerboard with centred pearl dot inlay, rosewood bridge Having said that, if a Levin LT-18 shows up on eBay and the seller contacts me via email, after a couple of shamefully low best offers from my part, and I happen to lie at home with pneumonia, it was just impossible to resist. Ebony bridge, metal Levin truss rod cover, natural finish and ten year warranty. Help Identifying a Goya Classical Guitar ... Pre 60's! A great way to improve the tone of your acoustic guitar and to get it to open up is to use a normal air pump from a fish tank to give the top a massage. The sound is not terrible with the plastic saddles, it ads a kind of 1960’s Gibson bass to it but it lacks a lot of clarity in the trebles and I always prefer a bone saddle. Now I’m the proud dad of seven, 3 Levin LT-18, 1 Levin LS-18, 1 Goya T-18, 1 Goya T-23 and 1 Levin 174, they are all the same model with the same specifications, it’s just small details that have changed over the years. The Goya brand went to Martin Guitars in 1974, the year they acquired Levin, and lasted until 1996. It’s the first time I get a 50 years old guitar home and I have to do nothing to it. I can’t see any signs of a neck reset but since it’s so playable after 100 years I assume that someone has done that too. It’s in pretty decent original shape for being 103 years old, no real damage to it. I didn’t include my 1972 Levin 174 in the picture since the head shape is different and it didn’t really match the others, even though it’s technically the same guitar. To my ears the Levin LT-18 is the love child of a Gibson J-45 and a Martin D-28, it’s somewhere in between, a perfect mix and I just love them. Goliath size: Body width: 400 mm, body length: 505 mm, body depth: 95/120 mm Serial numbers on Goya instruments made by: Levin normally consists of four to seven digits, either hand written or printed on a Goya label. I’m not sure how they managed to loose most of the lacquer on the back of the neck but that was easily filled in with a couple of layers of Nitrocellulose lacquer. I also don’t like the look of a rosewood bridge to a ebony fretboard, they should match. The seller Ian was quite persistent that I added his guitar, that he had owned since his 14th birthday in 1976, to my Levin collection so I of course complied. I guess the more you play them, the better they sound. This 1963 Levin LT-18 has spent it’s life in Ireland and came to me from a guy called Fintan. I love the original machine heads with their bone buttons and the brass medallion on the back of the head is just beautiful. Single-bound ebony fingerboard with bass side pearloid block inlay An Unofficial forum for those who love Martin instruments - Founded by Steve Stallings. Unbound walnut fingerboard with mother-of-pearl dot inlay The 1966 Goya T-18 that I bought back in 2013, which started my obsession with the Levin brand, was imported from USA and they seem to be quite rare there too. Other noticeable differences is that the LS-18 has thicker neck profile, different machine heads and centred pearl dot inlay instead of the LT-18’s bass side pearloid block inlay. Around Christmas 2015 I was offered to buy a Levin LS-16 that I’ve loved since the first time I played it. i have a Goya F-11 #134927………can anyone tell me the year? I just adjusted the neck a bit, cleaned it up and it was ready to go. Anyway, now I have a great backup acoustic for playing live and I was missing something in sunburst to match the Claescaster I put together four years ago. Mahogany bolt-on neck with adjustable truss rod These Goya guitars were made in Japan, Korea and Taiwan. This is my 10th Levin, or 11th if you count a Levin LS-16 that I have waiting for me in Sweden. The LR Baggs Lyrics sounds similar to the LR Baggs M80 but better, more natural and woody. There was quite a lot of work to do on this when I first got it. My previous one was built in 1958/59 and feels a bit fragile, it is also in a pretty good state for taking out gigging. Levin LT-14 / Goya T-14 “Goya” guitars brand started in 1954 by the Hershman Musical Instrument Company of New York (Goya Guitars Inc.).eval(ez_write_tag([[468,60],'jedistar_com-box-3','ezslot_2',116,'0','0'])); Distribution went to Kustom Electronics Inc. in 1970 and then to Dude Inc. (both of Chanute, Kansas) in late 1972. The 3/4 size G-10 Goya's are very difficult to find..   How many G-10 3/4 size did they make? I got an old one, I think the older they are the more they vibrate, that I use on guitars that I buy that hasn’t been played for years. Thanks to Vintage Guitars Sweden, The Levin family at the moment, from left to right: Goya GG-172 (1970), Levin Model 13 (1950), Goya Model 163 (1968),  Levin Model 174 (1972), Levin Royal (1951), Levin LM-26 (1959), Levin Model 65 (1942), Goya T-18 (1966),  Levin LT-14 (1965), Levin LT-16 (1966), Goya GG-172 Made in Sweden by Levin in 1970. The Goya brand went to Martin Guitars in 1974, the year they acquired Levin, and lasted until 1996.

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